Nothing Personal
Richard Avedon & Alec Baldwin
| CONDITION & NOTES | |
| Used / Slipcase shows heavy signs of wear consisting of edge wear, discolouration and scuffs/scratching all over. Exterior of the book itself has general signs of surface and edge wear. Interior in Very Good condition aside from smelling a bit musky. |
|
| TYPE | PUBLICATION YEAR |
| Hardcover |
1964 |
| EDITION | LANGUAGE |
| First |
English |
| PUBLISHER | DIMENSIONS |
| Atheneum | 38 x 28.5 x 2.5 cm |
Used / Slipcase shows heavy signs of wear consisting of edge wear, discolouration and scuffs/scratching all over. Exterior of the book itself has general signs of surface and edge wear. Interior in Very Good condition aside from smelling a bit musky.
TYPE
Hardcover
PUBLICATION YEAR
1964
EDITION
First
LANGUAGE
English
PUBLISHER
Atheneum
DIMENSIONS
38 x 28.5 x 2.5 cm
ABOUT
Nothing Personal explores the complexities and contradictions still at the center of the American experience. Deploying both image and text, Avedon and Baldwin examine the formation of identity, and the bonds that both underlie and undermine human connection.
Avedon’s subjects range from civil rights icons, to intellectuals, politicians, pop singers, patients in a mental institution, and ordinary Americans, all carefully juxtaposed, cropped, and tightly sequenced. Here, the American Nazi Party contends with poet Allen Ginsberg, and a weary General Eisenhower gives way to the sway of Malcolm X. Depleted mental institution patients call out for human warmth, and are followed by the embrace of mother and child.Baldwin’s four-part essay offers a critique of a society that is disconnected, unjust and divisive, and therefore in the midst of an existential crisis. In a highly personal and pertinent testimony, he writes about his own experience of harassment by a racist police officer in his native New York City.Yet Baldwin, like Avedon, ends his work with the inescapable need for – and power of – love.