States of America
Michael Ormerod
BOO 3447 U
€95,00
| CONDITION & NOTES | |
| Good / Exterior has some surface and edge wear. Spine is sun bleached. Interior has a hint of edge discolouration and two small notes on the fly leaf. |
|
| TYPE | PUBLICATION YEAR |
| Softcover |
1993 |
| EDITION | LANGUAGE |
| First |
English |
| PUBLISHER | DIMENSIONS |
| Cornerhouse Publications | 28 x 23.5 x 1.5 cm |
CONDITION
Good / Exterior has some surface and edge wear. Spine is sun bleached. Interior has a hint of edge discolouration and two small notes on the fly leaf.
TYPE
Softcover
PUBLICATION YEAR
1993
EDITION
First
LANGUAGE
English
PUBLISHER
Cornerhouse Publications
DIMENSIONS
28 x 23.5 x 1.5 cm
Good / Exterior has some surface and edge wear. Spine is sun bleached. Interior has a hint of edge discolouration and two small notes on the fly leaf.
TYPE
Softcover
PUBLICATION YEAR
1993
EDITION
First
LANGUAGE
English
PUBLISHER
Cornerhouse Publications
DIMENSIONS
28 x 23.5 x 1.5 cm
ABOUT
The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice.
Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption.
The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable.