The Last Resort
Martin Parr
CONDITION & NOTES | |
Used – Good / Exterior has signs of wear consisting of light edge wear, discolouration along the spine and a small bump to the top right. Interior has a very minor stain on the top right corner on a few pages and some edge discolouration. |
|
TYPE | PUBLICATION YEAR |
Softcover |
1986 |
EDITION | LANGUAGE |
First |
English |
PUBLISHER | DIMENSIONS |
Promenade Press | 30 x 23.5 x 1 cm |
Used – Good / Exterior has signs of wear consisting of light edge wear, discolouration along the spine and a small bump to the top right. Interior has a very minor stain on the top right corner on a few pages and some edge discolouration.
TYPE
Softcover
PUBLICATION YEAR
1986
EDITION
First
LANGUAGE
English
PUBLISHER
Promenade Press
DIMENSIONS
30 x 23.5 x 1 cm
ABOUT
The Last Resort is a series of forty photographs taken in New Brighton, a beach suburb of Liverpool. Shot with a medium format camera and daylight flash, the photographs are an early example of Parr’s characteristic saturated colour, influenced by the American colour photography of William Eggleston and Garry Winogrand.
The photographs comprising The Last Resort were taken between 1983 and 1985, a period of economic decline in northwest England. They depict a seaside resort past its prime with attractions designed to appeal to an economically depressed working class: overcrowded beaches, video arcades, beauty competitions, tea rooms and chip shops. The series was exhibited at the Serpentine Gallery, London and published as a book in 1986, and was instrumental in establishing Parr’s reputation as a photographer.
Traditionally, documentary photography in Britain sought to glorify the working class; here Parr shows a warts-and-all picture of a down-at-heel resort populated by day trippers seeking cheap thrills. The series contains many images of people dressed in the day-glo lycra fashions of the time, eating junk food in the crumbling remains of a seaside town.