At the beginning of the 1995 football season, Hans van der Meer set out to take a series of football photographs that avoided the clichéd traditions of modern sports photography. In an attempt to record the game in its original form - a field, two goals and 22 players - he sought matches at the bottom end of the amateur leagues, the opposite end of the scale to the Champions' League. And he avoided the enclosed environment of the stadium and tight telescopic details and hyperbole of action photography. Preferring neutral lighting, framing and camera angles, he chose instead to pull back from the central subject of the pitch, locating the playing field and its unfolding action within a specific landscape and context. In 1988 he had curated a book, Interland, containing archival images of the Dutch national team between 1911 and 1955. He was heavily influenced by the old tradition of photography in which a wide view of the action often resulted in elements of the locality being present in the image. With the addition of graphic lines, these images were then used in newspapers to illustrate the movement of the ball to the goal.
