Per Strada brings together photographs made by Guido Guidi from 1980 to 1994, along the Via Emilia – an ancient Italian road connecting Milan with the Adriatic Sea, which passes close to Guidi's home. To this day, the Via Emilia is the territorial backbone of the Southern tier of the Po Valley, running through mid-size cities such as Parma, Reggio Emilia, Modena, Bologna, Forlì, and Rimini. Using an 8x10 inch camera, Guidi directs his lens towards the “interstices” between cities rather than on historical centres. His three-volume book charts a rich palimpsest of signs in the landscape built from centuries of residential, agricultural, industrial, and commercial activity.
Guidi’s project on the Via Emilia began in the environs of his hometown, Cesena. For the Italian artist, photographing everyday landscapes is a way to acknowledge the importance of the vernacular, but also to break free from one’s own stereotypes, ideas, and constraints. As he has stated, “At a certain moment I felt pushed to leave my room, like in Wim Wenders’s film ‘The Wrong Move’ (1975), when Wilhelm breaks the windowpane with the palm of his hand and leaves the house. I leave the house and what do I find? A house, an entrance door, a woman who passes by or who asks me something.”