{"title":"Rare books","description":"","products":[{"product_id":"anne-geene-arjan-de-nooy-ornithology","title":"Anne Geene \u0026 Arjan de Nooy — Ornithology","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"Ornithology refers to the scientific study of birds, including their physiology, classification, ecology and behaviour. Due to their visibility and colourful appearance, birds are a popular subject of both the sciences and the visual arts – photography in particular. With their pseudo-scientific approach hunter-collectors Geene \u0026amp; De Nooy defy the borders between these disciplines. Their classification of bird pictures exhibits the humorous outcome of creative and associative thinking, with every section of Ornithology opening new perspectives on birds.\u003cbr\u003e\u003cbr\u003eGeene \u0026amp; De Nooy manifest themselves as rare birds in the world of bird photography, dominated as it is by people with the ‘classic’ aesthetic view. Many of the birds they shot are dead, others are representations and sometimes only their building material or excrement appears. Ornithology may be seen both as a photographer’s study of birds and as an ornithologist’s excursion into photography. The book is highly recommended by Charles Darwin, Harper Lee, Humphrey Bogart, Charlie Parker and Woody Woodpecker, amongst many others.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":41198643249312,"sku":"BOO 448 U","price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/448-01n.jpg?v=1738323091"},{"product_id":"andy-warhol-tokyo-catalogue-1","title":"Andy Warhol — Tokyo Catalogue","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRare catalogue of Warhol's first exhibition in Tokyo. Beautiful printing and a silver dust jacket, a great addition to any Warhol collector's shelves.\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":41755344273568,"sku":"BOO 127 U","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/127-1n.jpg?v=1738323086"},{"product_id":"thomas-albdorf-i-know-i-will-see-what-i-have-seen-before","title":"Thomas Albdorf — I Know I Will See What I Have Seen Before","description":"\"Looking at Austria and how it is constructed and constituted within a common image space, the concept of mountains, of an alpine landscape that functions as surface for multiple projections is prevalent; be it within the classic 1960s Heimatfilm, advertising, or political propaganda.\u003cbr\u003e\u003cbr\u003eI Know I Will See What I Have Seen Before aims towards reconstructing and abstracting this mountainous visual space via various methods of image production, ranging from appropriated scanned material, digitally altered photographic images, studio settings etc., whilst also discussing the images’ productional circumstances. The works depart from their indexical referents, creating possibilities to become different images. One mountain can signify a different mountain, clouds can be petrified, water can become dust.\"","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":42487856332960,"sku":"BOO 770 U","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/770-1n.jpg?v=1738323079"},{"product_id":"roger-ballen-dorps-1","title":"Roger Ballen — Dorps","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"One of the earlier books by Ballen, depicting life in the South African Dorps. From 1982 to 1986 Ballen travelled widely throughout South Africa, visiting its scattered towns and villages. During this time he developed a unique vision towards little-known corners and artifacts, trading stores, old houses and humble people. Textured with time, these photographs reveal the essence of these places.\"\u003cbr\u003e\u003cbr\u003e“In many ways I feel as if I have recorded the elements of a dying culture. I photographed these towns in the hope of freezing time and arresting the utter extinction of the South African dorp.”\u003cbr\u003e— Roger Ballen\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":42611616776352,"sku":"BOO 782 U","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/782-1.jpg?v=1738327341"},{"product_id":"andy-warhols-exposures","title":"Andy Warhol's Exposures","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing his purchase of a new camera in 1976, Warhol exclaimed to his friend Bob Colacello: “We should do a photography book together, Bob. We've got to take photographs wherever we go from now on. It's work now, Bob”. The result was a book of photographs and profiles of the stars of rock and roll, the art world, fashion and politics. It is an insight into the lives of Warhol’s celebrity friends, both in pictures and via his entertaining narration. The cover of the book is a collage of snapshots of superstars with a grinning profile of the artist on the right. Warhol’s name was in itself a brand and by including it in the title of the book, he successfully draws on his own celebrity as a marketing tool.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":42728637366432,"sku":"BOO 821 U","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/821-1.jpg?v=1738323076"},{"product_id":"mario-carrieri-milano-italia-1","title":"Mario Carrieri — Milano, Italia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“One of the most important works of the neo-realist tendency of the 1950s,” Mario Carrieri’s visceral urban portrait, Milano, Italia, is the product of two years spent photographing “Italy’s largest city in a raw, cinematic style. This was clearly derived from New York [1956], by American photographer William Klein.” In this book’s high-contrast, full-bleed images of Milan, “the most dynamic and least sentimental” city in Italy, Carrieri explores “the city’s grittier aspects, being drawn to the desolate outer suburbs, and even when photographing the city’s glamorous center, he manages to make it look dark and dangerous… At the time he made Milano Carrieri was associated with the Italian neo-realist photographers Cesare Columbo and Mario di Biasi, before he went on to become a distinguished photographer of sculpture”\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Parr \u0026amp; Badger The Photobook: A History Volume I\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":43064436785312,"sku":"BOO 891 U","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/products\/891-1_f744f09f-f15c-41d1-ab0b-2f6b8af325a0.jpg?v=1738323062"},{"product_id":"axel-hutte-fotografie-1981-1988","title":"Axel Hütte — Fotografie 1981 – 1988","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cmeta charset=\"utf-8\"\u003eHütte was born in the German city of Essen in 1951. He studied photography in Düsseldorf Art Academy from 1973 to 1981, attending Bernd Becher’s class. He received a scholarship from the German Academic Exchange Service to study in London and in 1985 a scholarship to study at the German Study Center in the Palazzo Barbarigo della Terrazza in Venice. From 1986 to 1988 he was the recipient of a Karl Schmidt-Rottluff scholarship. In 1993, Hütte received the Hermann Claasen Prize for Creative Photography. Since then, he has been working as a freelance photographer. He shares a studio with Andreas Gursky and Thomas Ruff. He is considered one of five main representatives of the \u003ca data-mce-fragment=\"1\" title=\"Kunstakademie Düsseldorf\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kunstakademie_D%C3%BCsseldorf\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Kunstakademie_D%C3%BCsseldorf\"\u003eDüsseldorf School of Photography\u003c\/a\u003e.\"\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":43337922576544,"sku":"BOO 962 U","price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/products\/962-1.jpg?v=1738323059"},{"product_id":"jouko-lehtola-jovenes-heroes-3","title":"Jouko Lehtola — Jóvenes Héroes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Jouko Lehtola´s photographs document the people and places associated with sub-cultures existing within mainstream Finnish society, such as youth, tattoo freaks, sire of drug overdose deaths or wrecked cars. These may appear to be fringe elements but are actually over-looked aspects of life in Finland’s largely homogenous culture.\u003cbr\u003e\u003cbr\u003eLehtola became known internationally for his portraits of young people and youth culture in Finland. His subjects are young, middle-class kids engaged in adolescent social interaction while under influence of drugs and alcohol. The portraits are mostly close-ups. The viewer is face to face with the subjects, looking into their glazed, self-defiant eyes or at the occasional shy smile as they pose self-consciously. While the images can be disturbing and at times even repulsive, they highlight how vulnerable, how unsure of themselves and how fragile these children really are. Like the American photographer Larry Clark, Lehtola’s presence is accepted by the different adolescent groups. He is somehow involved in their games and activities, participating in their lives while documenting them.\u003cbr\u003e\u003cbr\u003eLehtola´s other subjects, his landscapes, his urban views and his crashed cars, seem inextricably bound to the images of the adolescents. The cityscapes and urban places and the holding cells at the local police station correspond to the lost and provocative attitudes of the young heroes. The photographs of pin-ups and graffiti-covered walls show aspects of their immediate environment, while the pictures of crashed cars reveal the same mixture of violence and vulnerability as the portraits of the young people.\"\u003cbr\u003e\u003ca href=\"https:\/\/kunstaspekte.art\/event\/jouko-lehtola-jovenes-heroes-2006-04?hl=en\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/kunstaspekte.art\/event\/jouko-lehtola-jovenes-heroes-2006-04?hl=en\" target=\"_blank\"\u003eSource\u003c\/a\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":46852910055767,"sku":"BOO 1143 U","price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1143-1.jpg?v=1738323050"},{"product_id":"gerry-johansson-amerika-1","title":"Gerry Johansson — Amerika","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrowing up as a teenager in Sweden Johansson had many influences of American culture. He listened to Miles, Coltrane, Mingus and Dolphy, read MAD magazine and watched a lot of American films. When he was 17 he spent a year with relatives in New Jersey. He writes, \"In my contact with American youth I always felt that I had a very different idea of what America was. In my opinion they had missed the whole point of being part of the American culture.\" This experience culminated 30 years later in \"Amerika,\" Johansson's photographic series and book on what America feels like to him. He writes, \"Nothing beats standing on a street corner watching something you don’t quite understand.\" His black and white images reflect American culture and ideology from the mid-west, south, north, east and west coasts, as seen through his Swedish eyes.\"\u003c\/span\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":47430069911895,"sku":"BOO 1395 U","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1395-1.jpg?v=1738322994"},{"product_id":"sanne-sannes-oog-om-oog","title":"Sanne Sannes — Oog om Oog","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"S\u003cmeta charset=\"utf-8\"\u003eanne Sannes (1937-1967) appeared out of the blue as Holland's photographer of female eroticism, only to disappear in the same manner. He had no predecessors to speak of, and certainly left no heirs in his wake. And this was inevitably the case, for Sannes' photographic urge was fuelled exclusively by the artist's highly personal fantasies. (...) In Sannes' fantasy the woman is in command, she decides what happens, what she gives and what she doesn't. (...) He was the author of many more plans for films and books than he actually produced. The only projects to materialise during his lifetime was this book and the bowdlerised version of the film Dirty girl, which was relayed by VPRO television after the sadistic passages had been suppressed. A book-adaption from the film dirty girl, titled Sex a Gogo was not published before 1969, two years after he died in a car-crash.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":47430294700375,"sku":"BOO 1392 U","price":235.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1392-1.jpg?v=1738322991"},{"product_id":"vasantha-yogananthan-afterlife","title":"Vasantha Yogananthan — Afterlife","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eAfterlife\u003c\/em\u003e is the sixth chapter of Vasantha Yogananthan's long-term project\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Myth of Two Souls\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einspired by the epic tale \u003cem\u003eThe Ramayana\u003c\/em\u003e. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan has retraced the legendary route from north to south India.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Myth of Two Souls\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis informed by the notion of a journey in time and space and offers a modern retelling of the tale.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterlife\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis centered around the bloody war between the army of Ravana and the army of Rama. As its title suggests, the chapter deals with death and reincarnation. With Rama’s cruelty finally revealed, the series can be read as a visual exploration of one man’s descent into the darkness of the soul. Although the pictures were shot in Rajasthan and Tamil Nadu over two editions of Dussehra — the Indian festival celebrating the victory of good over evil — they do not document the festivities. They focus on the trance people try to reach night after night, as if during one week they were allowed to escape their bodies to become somebody else.\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":47763167117655,"sku":"BOO 1710 U","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1710-1.jpg?v=1738322942"},{"product_id":"jeff-wall-ledition-complete-the-complete-edition","title":"Jeff Wall — L'Edition Complete (The Complete Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWall is foremost among the pioneering artists who since the late 1960s have brought photography to the forefront of contemporary art. His constructed images employ the latest sophisticated technology in the creation of compelling tableaux, which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs. All of these elements - traditional figurative painting, cinema, Minimalism, Conceptual art, documentary photography - are consciously evoked and explored in Wall's work. Associated closely since the late 1960s with Conceptual artists such as Dan Graham, with whom he collaborated on \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eThe Children's Pavilion\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1988-93), Wall has engaged at a sophisticated level with theories of representation and its social dimensions both as an artist and as a theoretical writer on contemporary art and culture.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48151798514007,"sku":"BOO 1785 U","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1785-1.jpg?v=1738322900"},{"product_id":"ruth-marion-baruch-pirkle-jones-black-panthers-1968","title":"Ruth-Marion Baruch \u0026 Pirkle Jones — Black Panthers 1968","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn 1968, FBI chief J. Edgar Hoover vilified the Black Panthers as the greatest threat to the internal security of the United States. That same year photographers Pirkle Jones and wife, Ruth-Marion Baruch, documented the Black Panthers for an exhibition at the De Young Museum in San Francisco. Their hope was to expose the public to the Panthers as they saw them-symbols of pride and strength-rather than the way they were being portrayed in the media. Jones and Baruch were given unprecedented access to the inner circle of the Black Panther Party. At intimate meetings, family gatherings and public demonstrations, we witness, through these incredibly moving photographs, a unique crusade for dignity and self-definition. Black Panthers is a historic documentation of this fascinating movement, so challenging and controversial to our culture that it was virtually erased from established texts and American history books.\u003cbr\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48159911936343,"sku":"BOO 1768 U","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1768-1.jpg?v=1738322896"},{"product_id":"matt-stuart-all-that-life-can-afford-7","title":"Matt Stuart — All That Life Can Afford","description":"\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatt’s photographs explore those rare magical moments, when people, objects and locations work so perfectly together to bring images which explore the tender moments and human life in a busy capital city. Injected with humour, wit and boldness, Matt’s street photography has gained global recognition for their brilliance and unique quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.”\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e– Matt Stuart\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48188504473943,"sku":"BOO 1807 CU","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1807-1.jpg?v=1738322893"},{"product_id":"igor-mukhin-ive-seen-rocknroll","title":"Igor Mukhin — I've seen rock'n'roll","description":"\u003cp\u003eSitting down to work on a new book thirty years after the images had been made, I was curious to look through the archive again. I hoped to find “new” pictures, situations, characters. I must admit, no new discoveries turned up – all of the best stuff had been spotted back then as I was bringing out the film strips in a bowl of fixer…\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the photo book itself I wanted to showcase a range of statements and sentiments possible in the closed society of the 1980’s – without the Internet, exhibitions, photo books, lectures, friendships, contacts and schooling.\u003c\/p\u003e\n\u003cp\u003e— Igor Mukhin\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48513687421271,"sku":"BOO 1873 U","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1873-1.jpg?v=1738322879"},{"product_id":"simon-kossoff-altered-states-of-agoraphobia","title":"Simon Kossoff — Altered States of Agoraphobia","description":"\u003cp\u003e“Altered States of Agoraphobia” is the first book of the British photographer Simon Kossoff, with a foreword by Blake Andrews. 123 psychogeography photographs immerse us in the author’s half-truth and half-fiction all over the USA. In over two decades of changing times, countries, jobs, loves, and losses, photography has been Kossoff’s only constant and his camera has performed in the role of quiet instructor in the practice of paying attention.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTravelling through difficult and uncertain times, his photographs connect the search for personal orientation, between the dreams or ideas of a place and his actual experience of it in reality. 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Photographing in Atlanta and its outlying regions, Steinmetz provides his testimony on contemporary American civilization. Combining portraits and landscapes, he weaves a symbolic and lyrical investigation that subtly questions notions of progress. He further develops motifs — on the automobile, on the telephone — that were first introduced in 'South Central', and catalogues car culture, fast food, convenience stores, and suburban sprawl.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48661458518359,"sku":"BOO 1959 CU","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1959-1.jpg?v=1738322865"},{"product_id":"robert-adams-summer-nights","title":"Robert Adams — Summer Nights","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn nighttime photographs made using only the available light of the moon, street lights, or the headlights of passing cars, the artist explores a melancholy peace and calm in a suburban Denver neighborhood. Summer Nights is a\u003c\/span\u003e\u003cspan\u003e sequence of nightscapes photographed along the eastern edge of the Rocky Mountains in Colorado. Adams's attention to the subtleties of extreme light and dark emphasizes his appeal to look again at places often overlooked. \"What attracted me to the subjects at a new hour,\" he observes, \"was the discovery of a neglected peace.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-cel-widget=\"globalStoreInfoBullets_feature_div\" data-csa-c-id=\"qjtm1n-k9d7t7-mxjt6h-v84wr9\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0893811416\" data-csa-c-slot-id=\"globalStoreInfoBullets_feature_div\" data-csa-c-content-id=\"globalStoreInfoBullets\" data-csa-c-type=\"widget\" data-feature-name=\"globalStoreInfoBullets\" class=\"celwidget\" id=\"globalStoreInfoBullets_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"buyingOptionNostosBadge_feature_div\" data-csa-c-id=\"d6r5d2-opdjoz-9ecj0z-n2e9wn\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0893811416\" data-csa-c-slot-id=\"buyingOptionNostosBadge_feature_div\" data-csa-c-content-id=\"buyingOptionNostosBadge\" data-csa-c-type=\"widget\" data-feature-name=\"buyingOptionNostosBadge\" class=\"celwidget\" id=\"buyingOptionNostosBadge_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"tellAmazon_feature_div\" data-csa-c-id=\"7krvf-yel4jz-pd8zsy-igm3i5\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0893811416\" data-csa-c-slot-id=\"tellAmazon_feature_div\" data-csa-c-content-id=\"tellAmazon\" data-csa-c-type=\"widget\" data-feature-name=\"tellAmazon\" class=\"celwidget\" id=\"tellAmazon_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"tell-amazon-desktop_DetailPage_6\" data-csa-c-id=\"cab7fv-6mn5e7-et7jl0-2848k6\" data-csa-c-painter=\"tell-amazon-desktop-cards\" data-csa-c-type=\"widget\" data-csa-c-slot-id=\"DsUnknown-7\" data-csa-c-content-id=\"DsUnknown\" data-csa-op-log-render=\"\" class=\"celwidget c-f\"\u003e\n\u003cdiv data-mix-claimed=\"true\" data-acp-tracking=\"{}\" data-card-metrics-id=\"tell-amazon-desktop_DetailPage_6\" id=\"CardInstance17Zzs3OITLQ9ZjQDvCEPEQ\"\u003e\n\u003cdiv class=\"_tell-amazon-desktop_style_tell_amazon_div__1YDZk\" data-logged-in=\"false\" data-marketplace=\"ATVPDKIKX0DER\" data-asin=\"0893811416\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48707206185303,"sku":"BOO 1934 U","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1934-1.jpg?v=1738322850"},{"product_id":"harley-weir-images-copy","title":"Harley Weir — Paintings","description":"\u003cdiv class=\"book__text\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eby Harley Weir presents images made as a form of digression from her traditional photographic practice. Presented as short, rhythmical sequences,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003emoves across the page like a melody, linking rhythm, colour and form through surface studies made consistently throughout the last three years. Intended to be considered outside the constraints of context and place, the images in\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eattempt to exist at the threshold of photographic composition, while forming part of Weir's search for a 'pure' image. With each picture made according to a specific set of rules and criteria, Weir attempts to expunge herself from the act of image-making, and encounter photography as an immediate, indulging process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese images are nevertheless underscored by tension and palpable throughout Weir’s practice - the transgressing of surfaces and boundaries, the uneasy relationship between camera and subject, and the inevitable constraints of choice and power that hover around the frame of a photograph. In this sense, these images can be thought of as both liberation from and a mirror to Weir’s diverse output in fashion, editorial and portraiture photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48708261052759,"sku":"BOO 1913 U","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1913-1.jpg?v=1738326770"},{"product_id":"gordon-parks-the-making-of-an-argument-3","title":"Gordon Parks — The Making of an Argument","description":"\u003cp\u003eIn 1948, Gordon Parks began his professional relationship with Life magazine that would last twenty-two years. For his first project, he proposed a series of pictures about the gang wars that were then plaguing Harlem, believing that if he could draw attention to the problem then perhaps it would be addressed through social programs or government intervention. As a result of his efforts, Parks gained the trust of one particular group of gang members and their leader, Leonard Red Jackson, and produced a series of pictures of them that are artful, emotive, poignant, touching, and sometimes shocking. From this larger body of work, twenty-one pictures were selected for reproduction in a graphic and adventurous layout in Life magazine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAt each step of the selection process as Parks chose each shot, or as the picture editors at Life re-selected from his selection any intended narrative was complicated by another curatorial voice. Featuring contact sheets, proof prints and the published Life article, Gordon Parks: The Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay.\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48920282792279,"sku":"BOO 1797 U","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1797-1.jpg?v=1738322825"},{"product_id":"michael-schmidt-u-ni-ty-2","title":"Michael Schmidt — U-NI-TY","description":"\u003cp\u003e\"Schmidt made EIN-HEIT (or U-NI-TY) in response to the fall of the Berlin Wall in 1989 and the subsequent reunification of East and West Germany. Composed of 163 pictures, some taken by the artist, others culled from newspapers, old and recent magazines, propaganda journals, history books, and related sources, this work is a meditation on national identity. Schmidt drew upon two artistic traditions in photography: the use of the medium as a means of expression by individual practitioners, and its use as a vast resource of existing images that can be drawn from and reused at will.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBringing the two together, he explored the relationship between the individual and the state, from the Nazi seizure of power in 1933 through the nearly fifty years of ideological opposition that divided Germany after 1945.Schmidt interspersed contemporary photographs of ordinary places and individuals with archival images of anonymous and famous people, interiors and exteriors, mass scenes, emblems, and monuments. History is presented not as a linear sequence of well-defined events but as a decentered, simultaneous overlapping of ever-shifting frameworks and viewpoints. Viewers are obliged to ponder whether a given image was made in East or West Germany, before or after World War II, during the period of separation, or since reunification.\"\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":48941911540055,"sku":"BOO 2012 U","price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2012-1.jpg?v=1738322822"},{"product_id":"hiroshi-sugimoto","title":"Hiroshi Sugimoto","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe spectacular series by Japanese photographer Hiroshi Sugimoto (*1948 in Tokyo) are characterized by matchless clarity and presence. His works are always an absolute embodiment of his chosen visual motif, reduced to its essence. Our exquisite monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of wax figures seem to face up to their living audiences; his \"Seascapes\" show us nothing less than a person's first conscious view of the ocean; the extremely long exposures of \"Theaters\" elevate the white, luminescent cinema screen, transforming it into a magical image of an altar; and the fascinating \"Dioramas\" - photographs of scientific display cases - allow us to travel with the artist far into the past to observe extinct animal species or the daily life of early man. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49027164340567,"sku":"BOO 1946 U","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/1946-1.jpg?v=1738322789"},{"product_id":"werner-bischof-robert-frank-pierre-verger-incas-to-indians-2","title":"Werner Bischof, Robert Frank \u0026 Pierre Verger — Incas to Indians","description":"\"\u003cmeta charset=\"utf-8\"\u003eIncas to Indians, an exceptional photo-essay documenting the lives of South American Indians, was only partially complete when French publisher Robert Delpire called on Robert Frank to aid in its publication. Progress had been halted when Magnum photographer Werner Bischof was killed on a Peru mountainside. Before his sudden death Bischof \"won renown as an exceptional photographic witness of this time. One of the first to be invited into the Magnum agency,\" co-founded by Robert Capa, news of Bischof's death reached Vietnam only hours after news was announced of Capa's own tragic death by a mine outside Hanoi. Robert Frank, whose landmark photobook Les Américains would be published two years later by Delpire, here assisted the publisher by supplementing Incas to Indians with 14 of his own photographs, taken on a 1948 trip to Peru.\"","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49027279946071,"sku":"BOO 924 U","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/924-1.jpg?v=1738322788"},{"product_id":"sergio-larrain-valparaiso-3","title":"Sergio Larrain — Valparaiso","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSergio Larrain (1931–2012) published very few books during his lifetime, but perhaps the most fêted among them was \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eValparaíso\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. He photographed this Chilean seaport throughout his career, but it was in the early 1960s, when he returned to his homeland after travelling the world as a Magnum photographer, that it became a focus for his attention. He saw it as ‘a sordid yet romantic city’, standing between the Andes and the Pacific Ocean, falling into a slow decline as its trading importance faded away, yet still retaining hints of beauty and magic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49047853957463,"sku":"BOO 2094 U","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2094-1.jpg?v=1738322785"},{"product_id":"peter-lindbergh-garry-winogrand-women-1","title":"Peter Lindbergh \u0026 Garry Winogrand — Women","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-text-italic\"\u003eWomen\u003c\/span\u003e presents more than 60 works by two world-famous photographers: Peter Lindbergh and Garry Winogrand. A meditation on American street photography, it juxtaposes the classic black-and-white series \u003cspan data-mce-fragment=\"1\" class=\"a-text-italic\"\u003eWomen Are Beautiful\u003c\/span\u003e by New York photographer Garry Winogrand (born 1928), first published in 1975, alongside On Street, partially unpublished black-and-white portraits of a model by German photographer and director Peter Lindbergh (born 1944), which were taken on the streets of New York during a fashion shoot. A further highlight is a selection of very rare color photographs by Winogrand, shot in 1958–64. Short essays by Joel Meyerowitz on Winogrand, and by Ralph Goetz on Lindbergh, complete the volume.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49279755878743,"sku":"BOO 2092 U","price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2092-1.jpg?v=1738322742"},{"product_id":"chris-shaw-night-porter-1","title":"Chris Shaw — Night Porter","description":"\u003cp\u003eChris Shaw spent ten years working in London hotels, all the while using his camera to document the hotels’ unexpected human spectacles through the long hours of his shift. Whether capturing prostitutes waiting between Johns, weary hotel staff, the inebriated and profligate guests, or the details of the hotels’ faded grandeur, Shaw’s images capture a state of mind in which few people would choose to stay more than a night.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I just took photographs to keep me awake. It became artless. The people I photographed, these episodes in the social fantastic would heighten and illuminate my whole night. The sum of the book is really a hotel of my own imagination. In my experience heaven and hell are places right here on earth, and you can stay in either one.\"\u003c\/p\u003e\n\u003cp\u003e— Chris Shaw\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49398726394199,"sku":"BOO 2301 U","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2301-1.jpg?v=1738322705"},{"product_id":"keiko-nomura-red-water","title":"Keiko Nomura — Red Water","description":"\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA collection of pictures taken by Keiko Nomura, known from earlier publications as Deep South and Bloody Moon. The book has an introduction by Elein Fleiss (editor of Les Cahiers Purple).\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49468865446231,"sku":"BOO 2292 U","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2292-1.jpg?v=1738322692"},{"product_id":"tiane-do-na-champassak-the-king-of-photography","title":"Tiane Doan Na Champassak — The King of Photography","description":"\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe King of Photography is a collection of images found on the internet which represent King Bhumibol Adulyadej of Thailand with a photographic camera. The King is a keen photographer and is rarely seen without a camera.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThis is Champassak's first self published book in an edition of 250 and risograph printed.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49469041475927,"sku":"BOO 2218 U","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2218-1_469f90c2-d5d5-4548-8a8e-1f02c7674bdb.jpg?v=1738327423"},{"product_id":"horizon-photographs-1993-vol-1","title":"Horizon Photographs 1993 Vol. 1","description":"\u003cp\u003e\"During the 1970s a group photographic magazine \"Chihei\" (Horizon) was published. It centred around Kenichi Kuronuma and Shunji Dodo who were teaching at the Fukuoka Photographic College, it was first published in 1972. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt is now 20 years since the \"Chihei\" period. We are far from the political and cultural \"Season of Revolution\" as witnessed in the work of Takuma Nakahira, Yutaka Takanashi and Daido Moriyama in the magazine \"Provoke\" (1968-69). Present day photography seems to be flourishing but in fact is hiding a certain shallowness. It is within this environment that Shunichi Dodo, Takashi nakagawa, who were both involved in \"Chihei\", and staff at Osaka Photograph College and other related photographers have got together to produce this photographic book \"Horizon\".\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis book includes the work by nine photographers: Jun Abe, Shuichi Aki, Shunji Dodo, Masahito Endo, Takafumi Kawagoe, Takashi Nakagawa, Itsuro Naraki, Hiro Sato and Masahiko Yamashita. \u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49469393568087,"sku":"BOO 2235 U","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2235-1.jpg?v=1738322688"},{"product_id":"kavi-pujara-this-golden-mile","title":"Kavi Pujara — This Golden Mile (Special Edition)","description":"\u003cp\u003eKavi Pujara began to photograph the neighbourhood around Leicester’s Golden Mile as a way to reconnect with the city, its residents and his own past after 30 years of living in London. The resulting images form This Golden Mile which will be exhibited at Martin Parr Foundation in October to coincide with a book of the project published by Setanta Books.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e‘This Golden Mile is not about the one-mile stretch of Melton Road that turns into Belgrave Road with its sari shops, Indian restaurants and jewellers. It’s about the arteries and veins that come from it, giving life to the parts of the neighbourhood away from the central commercial thoroughfare. This Golden Mile exists in the poetry of homes, temples and street corners; it’s down the alleys and through the gaps in steel fencing leading to crumbling industrial plots. This Golden Mile is both an entry point and an ending, the last mile of a long journey to Britain.’\u003cspan class=\"s2\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003e– \u003c\/i\u003eKavi Pujara\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49470720147799,"sku":"BOO 2192 U","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2192-1s.jpg?v=1738322686"},{"product_id":"paul-seawright-the-forest","title":"Paul Seawright — The Forest","description":"\u003cp\u003e\u003cspan\u003e'In 2001, the Shoreditch Biennale and the Hasselblad Center published a very small book of Seawright’s called \u003cem\u003eThe Forest \u003c\/em\u003eand this work doesn’t provide an easy explanation but lets the viewer’s mind wander over the possibilities. There are no words. Here we are given 17 photographs; shot at night, lit by the amber glow of what we may assume are street lamps. The places that are described are desolate roadside lay-bys, ditches, and car parks bordering the edge of a forest. By day, these spaces might be so ordinary that they are no longer seen, but by night, they take on a sinister tone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause there is such a division between what we can see and what we cannot see (the fall off of the light does not allow for much penetration into the forest edge) what belongs there (the trees, underbrush and roadside curbs) and what doesn’t belong there (us), these are photographs that place the viewer into the shoes of the vulnerable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe may feel safe for a moment being in the illumination of the street lamps but this may also mean that we are well exposed and an easy target for whatever our minds can conjure. Unlike some of his other work, these are not so obviously steeped in political violence but those thoughts do not escape us either (best practice both pronunciations of the letter ‘h’). These are landscapes that unleash our natural fear of the unknown and uncontrollable amplified by our childhood fears well-formed by ghost stories and fables. \u003c\/span\u003e'\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49579886674263,"sku":"BOO 2261 U","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2261-1.jpg?v=1738322663"},{"product_id":"vincent-delbrouck-beyond-history-havana-1998-2006","title":"Vincent Delbrouck — Beyond History: Havana 1998-2006","description":"\u003cp\u003eAn antipoetic trip inside another Havana, in complete and crazy family intimacy. A neighborhood, a bird in a cage, a girl with a cigarette, a dirty and enchanting autofiction.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Then – and this is exactly when VD’s inclusive vision works its magic – comes a picture of a terrapin in a filthy, broken bowl. This is poetry and antipoetry (the facing page carries a poem by Gutiérrez called “Material Antipoético” – translation in the back). Everything that a consumer-driven society obsessed by perfection would find depressing and cheap and ugly and sad is made beautiful in its unbeauty. This is VD’s great achievement and his great love.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Max Houghton - foto8 magazine.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49580152226135,"sku":"BOO 2197 U","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2197-1_bf4040e9-48d4-4cf0-be72-d5ed0cba2f7c.jpg?v=1738327487"},{"product_id":"josef-koudelka-invasion-prague-68","title":"Josef Koudelka — Invasion Prague 68","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe events leading up to the 1968 Warsaw Pact invasion of Czechoslovakia were, for many observers looking back, inevitable. After two decades of oppressive Communist rule under the auspices of the Soviet regime, the country was ready for radical change. When Alexander Dubček was elected as First Secretary of the Communist Party of Czechoslovakia the politician seized the opportunity for democratic reform. A period of ‘liberalization’ known as the Prague Spring was enacted, allowing an expansion of citizen civil rights and liberties, partial democratization, and decentralization of the economy. Restrictions on press freedom, travel and free-speech were also loosened. All much to the vexation of the USSR, who, in between failed negotiations with Dubček, watched closely.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn August 21, 1968, forces from five of the countries grouped in the Warsaw Pact invaded. Tanks flooded Prague’s streets as residents buffered the sidewalks and buildings, protecting the Czechoslovak Radio Centre and destroying street-signs to misdirect the Eastern Bloc invaders. During the political turbulence, Josef Koudelka was moved to document his country during the upheaval.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is the Russian edition.\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49711912419671,"sku":"BOO 2482 U","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2482-1.jpg?v=1738322599"},{"product_id":"roni-horn-to-place-haraldsdottir","title":"Roni Horn — To Place: Haraldsdóttir","description":"\u003cp\u003eRoni Horn's To Place is one of the most epic and ambitious of artist's books, so much so that describing it in a few paragraphs is a challenge. Each book in the series is different, dealing with a separate theme. The first volume is not even photographic, yet To Place deserves to be treated as a unified whole, for there is both an overriding concept and a shared subject matter - Ísland (Iceland).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a country that fascinates the New York-based Horn and one to which she returns regularly to renew and extend her fascination in the form of fresh bodies of work. Iceland is her subject matter, but her subject, her primary theme insofar as it can be articulated, might be said to revolve around identity - how the identity of a place is formed, both materially and symbolically, visibly and invisibly; how a person's identity is shaped by place; how a person can change identity from place to place. Each book focuses on different aspects of this overarching theme, the relationship between Horn and Iceland.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHaraldsdóttir, is the sixth volume in this series. Using water as context, photographs of a woman create an intimate but ambiguous portrait where the face becomes the place.\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49719416324439,"sku":"BOO 2025 U","price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2025-1.jpg?v=1738322590"},{"product_id":"kohei-yoshiyuki-document-kouen-document-park","title":"Kohei Yoshiyuki — Document Kouen (Document Park)","description":"\u003cp\u003e\u003cspan\u003eFor his notorious \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePark\u003c\/span\u003e\u003cspan\u003e photos, taken at night in Tokyo's Shinjuku, Yoyogi and Aoyama parks during the 1970s, Kohei Yoshiyuki used a 35mm camera, infrared film and flash to capture a secret community of lovers and voyeurs. His pictures document the people who gathered in these parks at night for clandestine trysts, as well as the many spectators lurking in the bushes who watched--and sometimes participated in--these couplings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith their raw, snapshot-like quality, these images not only uncover the hidden sexual exploits of their subjects, both same-sex and heterosexual, but they also serve as a chronicle of a Japan we rarely see. As Martin Parr writes in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Photobook: A History\u003c\/span\u003e\u003cspan\u003e, Volume II, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Park\u003c\/span\u003e\u003cspan\u003e is \"a brilliant piece of social documentation, capturing perfectly the loneliness, sadness and desperation that so often accompany sexual or human relationships in a big, hard metropolis like Tokyo.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49804812124503,"sku":"BOO 2316 U","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2316-1.jpg?v=1738322578"},{"product_id":"harry-gruyaert-morocco-8","title":"Harry Gruyaert — Morocco","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBelgian photographer and filmmaker Harry Gruyaert travelled extensively to the North African country of Morocco. Gruyaert’s first trip to the country marked his colour photography ‘epiphany’. Gruyaert joined Magnum Photos in 1982. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile Gruyaert became fascinated by the power of colour when he first moved to Paris in the 1960s, and subsequently on his first trip to New York in 1968 where he saw the works of Pop artists Roy Lichtenstein and Robert Rauschenberg, his revelation that colour photography was his preferred medium came from his very first trip to Morocco in 1969. Reminiscent of artists Eugène Delacroix and Henri Matisse, this revelation had a long-lasting impact on Gruyaert’s oeuvre which he decided to entirely dedicate to colour photography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49845430387031,"sku":"BOO 2535 U","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2535-1.jpg?v=1738322556"},{"product_id":"stephen-shore-uncommon-places-50-unpublished-photographs-1973-1980","title":"Stephen Shore — Uncommon Places 50 Unpublished Photographs 1973-1978","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by Aperture in 1982 and long unavailable, Stephen Shore's legendary \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eUncommon Places\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore's large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies - Thomas Struth (whose first book was titled \u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eUnconscious Places\u003c\/span\u003e), Andreas Gursky and Catherine Opie among them -\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eUncommon Places\u003c\/span\u003e provides a timely opportunity to reexamine the diverse implications of Shore's project and offers a fundamental primer for the last 30 years of large-format color photography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49912745886039,"sku":"BOO 2555 U","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2555-1.jpg?v=1738334169"},{"product_id":"alec-soth-brad-zellar-lbm-dispatch-2-upstate","title":"Alec Soth \u0026 Brad Zellar — LBM Dispatch #2 Upstate","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlec Soth and Brad Zellar are spent two weeks in upstate New York. Their trip covered more than 1000 miles, and the itinerary ranged from Albany and the Hudson Valley to the Catskills, Adirondacks, and the university towns of Syracuse and Ithaca. The upstate project continued the investigation of community life, as well as touch on the region’s landscape, institutions, literature, and long, colorful history.The LBM Dispatch is an irregularly published newspaper of the North American ramblings of photographer Alec Soth and writer Brad Zellar.\u003cbr\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49915921400151,"sku":"BOO 2521 U","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2521-1.jpg?v=1738407262"},{"product_id":"lewis-baltz-the-new-industrial-parks-near-irvine-california-1","title":"Lewis Baltz — The new Industrial Parks near Irvine, California","description":"\u003cp\u003eIn the late 1960s and early ’70s Lewis Baltz became fascinated by the stark, repellent, manmade landscape that was rolling over California’s then still agrarian terrain. Baltz made a number of projects on this subject, the best known of which, The new Industrial Parks near Irvine, California, was first published in 1974. With this book Baltz took his place near the center of the New Topographics movement, a newly coined term emblematic of a cool, distanced, yet critical view of the emerging man-altered landscape. The Topographic position, detached and glacial, has since influenced photographic practice in the United States, Germany and Japan.\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49916216836439,"sku":"BOO 2556 U","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2556-1.jpg?v=1738411355"},{"product_id":"marie-jose-jongerius-lunar-landscapes-maasvlakte-2","title":"Marie-José Jongerius — Lunar Landscapes: Maasvlakte 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn Lunar Landscapes: Maasvlakte 2 photographer Marie-José Jongerius documents the Port of Rotterdam’s expansion project in an intriguing way. \u003c\/span\u003e\u003cspan\u003eThe Port of Rotterdam is the largest in Europe, and after Shanghai and Singapore, the largest in the world. 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A staff photographer and correspondent of Stern magazine, he was among the first who obtained a special permit to travel almost freely between West and East Berlin. His realist, unprejudiced pictures of life in the East are highlights of Cold War picture journalism; his portraits of East German artists such as Anna Seghers, Stephan Heym, and Wolf Biermann are icons of intensity and nearness. For Stern, and, from the late 1970s, for Geo magazine Hoepker travelled the whole world with his camera. In this book he presents a comprehensive survey of his work of 50 years including many of his German East-West classics as well as reportage photographs from his trips to South-East Asia, Africa, the Easter Islands, the US, and Europe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49947348500823,"sku":"BOO 2539 U","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2539-1.jpg?v=1738854331"},{"product_id":"mark-steinmetz-south-east-1","title":"Mark Steinmetz — South East","description":"\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1708166957923_792\"\u003eDesigned as a companion book to his critically-acclaimed monograph South Central, Mark Steinmetz here turns his focus to Athens and Atlanta, New Orleans, Memphis and East Tennessee, and the roads between.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eHighly regarded for his black-and-white portraits, Steinmetz is renowned for producing powerful pictures which capture the strong sense of displacement and isolation that is felt by many young Americans. His work is in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Los Angeles County Museum of Art. South East opens with an introduction by Peter Galassi, former Chief Curator of the Department of Photography at The Museum of Modern Art in New York.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e“Mark Steinmetz works in a venerable tradition of photographic prowling that bets everything on the ordinary. Each picture is the fruit of an unplanned encounter: Though the photographer may know more or less where he is going, he can’t know precisely what he will find. An accumulation of these improvised perceptions can make both a world and a way of looking at it.”\u003c\/p\u003e\n\u003cp class=\"\"\u003e— from the Introduction by Peter Galassi\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":49948420735319,"sku":"BOO 2570 U","price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2570-1.jpg?v=1738859521"},{"product_id":"boogie-a-wah-do-dem","title":"Boogie — A Wah Do Dem","description":"\u003cdiv id=\"leftCol\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA Wah Do Dem is the sixth book by Serbian photographer, Boogie. Known as one of the most representative photographers of street culture of the new millennium, Boogie stands out once again with his unique aesthetics, throwing us in a noisy and cryptic universe. It comprises his most recent project in Kingston, Jamaica. Boogie tries to show the excesses of a place ruled by violence, poverty and crime. He gains the trust of people who live at the fringe of society and relies on his instincts to photographically record their lives, their actions and their contradictions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wolf Books","offers":[{"title":"Default Title","offer_id":50026124181847,"sku":"BOO 2567 U","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/4914\/6272\/files\/2567-1.jpg?v=1740047860"},{"product_id":"paul-kooiker-nude-animal-cigar","title":"Paul Kooiker — Nude Animal Cigar","description":"\u003cdiv id=\"leftCol\"\u003e\n\u003cdiv class=\"product__text product__text--full\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePaul Kooiker is among the most interesting conceptual photographers currently working in the Netherlands. Although his work consists entirely of photographic images, he is not so much a photographer as a sculptor and installation artist. His fascination with intriguing themes like voyeurism, innocence and clichés leads him to construct fictive collections of images that are of extremely uncertain origin, subject and significance. In his latest installation, Nude Animal Cigar, created at the invitation of the Hague Museum of Photography, Kooiker looks back over his twenty-year career in the visual arts. The result is a bewildering array of two hundred photographic works, in which images of nudes and of animals are interspersed with close-ups of the countless cigars he has smoked in his studio over the years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eKooiker is not interested in creating the perfect photographic image. The value of his work lies not in his individual photographs (which are sometimes overexposed, blurred by camera movement or grainy), but in what he does with them postproduction – the subsequent process of selection and manipulation. In the initial phase of his creative process he is a deliberately ‘bad’ photographer, producing a mass of exploratory material that often runs to hundreds of images. He then approaches this material as a visual artist, creating ‘collections’ in the form of three-dimensional installations and photo books. These fictive collections look as if they have been found somewhere or have turned up in some ancient suitcase abandoned for decades in an attic. To ensure their credibility, Kooiker pays meticulous attention to internal consistency of form and style. This stands in sharp contrast to the contents of his series, which are often enigmatic and vaguely disturbing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"product__images product__images--full\"\u003e\n\u003csection class=\"popup-gallery\"\u003e\n\u003cdiv class=\"popup-gallery__wrapper\"\u003e\u003ca data-photoswipe='[{\"fileName\":\"books\\\/169-i-am-about-call-it-day\\\/spreads-i-am-about-call-it-day.jpg\",\"w\":1920,\"h\":1295}]' href=\"https:\/\/www.editionpatrickfrey.com\/sites\/default\/files\/styles\/default_xxl\/public\/books\/169-i-am-about-call-it-day\/spreads-i-am-about-call-it-day.jpg\" class=\"popup-gallery__item\"\u003e\n\u003cfigure class=\"media media--image\"\u003e\u003cpicture\u003e\u003csource srcset=\"\/sites\/default\/files\/styles\/default_xs\/public\/books\/169-i-am-about-call-it-day\/spreads-i-am-about-call-it-day.webp 320w, 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